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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Lydian Chromatic Concept of Tonal Organization ： ウィキペディア英語版 Lydian Chromatic Concept of Tonal Organization The ''Lydian Chromatic Concept of Tonal Organization'' is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode. ==Deriving Lydian== Russell believed that dominant function was the driving force behind all harmonic motion. Russell focuses on the Lydian mode because it can be built with fifths. For instance, to construct a C lydian scale one could list the first seven tones on the circle of fifths starting with C, the desired Lydian Tonic. This process would yield C, G, D, A, E, B, F. If these tones are voiced in the space of an octave, they form the Lydian mode (C, D, E, F, G, A, B).〔() Olive Jones and George Russell, The Black Perspective in Music, Vol. 2, No. 1 (Spring, 1974), pp. 63-74 , p.65.〕 Additionally, Russell observed, when these tones are voiced in thirds they form the preferred form of a major 13th chord.〔"(Lydian Chromatic Concept of Tonal Organization )", ''LydianChromaticConcept.com''. Note: gray text on gray background (select text or copy and paste to make legible).〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Lydian Chromatic Concept of Tonal Organization」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.